Thursday, March 6, 2014

Know Your Library #8


     We continue our gentle meander through our library, sampling from the Dewey Decimal System, under which all our 63,000 books are classified. We’re up to the 600s—Technology, Applied Science, we are sternly told. Fortunately, for technophobes like this writer, this includes books on cooking—a subject in which we’re all interested. As usual, our library is copiously equipped, whether you need cookbooks for diabetics, Kosher cookbooks or just something mouth-watering.

     Among the latter, to name just one, is THE FOOD CHRONOLOGY by James Trager (641.09 Tra) “A Food Lover’s Compendium of Events and Anecdotes from Prehistory to the present.” The reader will be agog to learn—for instance—that foods mentioned in the Sumerian legend of Gilgamesh include caper buds, wild cucumbers, figs, grapes, honey, meat seasoned with herbs, and a pancake of barley flour mixed with sesame flour and onions. Equally entrancing is the news that carrots, cabbage, cauliflower, par-

snips and turnips were introduced into England by Flemish weavers fleeing Spanish persecution—or that potatoes and tomatoes were among the gifts of the so-called New World to the Old—not to mention tobacco.

     Very useful for today’s busy person is BEST EVER RECIPES FOR YOUR SLOW COOKER by Catherine Atkinson (641.58Bes) Many of us call it a crockpot; whatever the name it is a godsend: throw the stuff in, turn it on low and either go to sleep or work; eight or so hours later, it’s ready!

     There are recipes not only for main dishes, but also desserts,

 sauces, even cakes and preserves. Profusely illustrated, of course.

    This is just a sampling of what you’ll find in the 600s of your Taos Public Library. Check it out!


LIKE A DEER CAUGHT IN THE HEADLIGHTS

 

     Alan Furst is a novelist who does only one thing, but he does it supremely: he is the absolute master of the noir-but-romantic spy novel. Richly atmospheric, he has done his homework—though American, he lived for years in Europe, especially Paris, and he evokes it with unparalleled skill. The only one to, perhaps, match him is the late—but more sedate—English novelist, Eric Ambler.

      Furst’s focus is Europe in the 1930s, as World War II is approaching. People in all walks of life, whether émigré Russians, or Dutch sea captains, are like deer caught in the headlights: they can see what’s coming, but they can’t avoid it.

     As in all genre literature, Our Hero is recognizably the same man, whatever his occupation, wherever he is from. He’s not especially handsome, but the ladies like him, and he fervently likes them. He’s usually in his forties, definitely world-weary and most definitely anti-fascist. Usually he’s in love with a woman who has also been around the block; sometimes married or otherwise encumbered, and the course of love, true or not, does not  run smooth.

     Furst evokes brilliantly the sounds, the sights, the smells; whether Istanbul, the reaches of the Danube, Poland as the Nazis crush it, Spain as the fascists rumble to a horrible victory, the African area made immortal by movies like Casablanca, Berlin in the clutch of Hitler, or—above all—achingly beautiful and beloved Paris in all its famed boulevards and unknown corners.

     There’s more than a foot-wide collection in our library. This writer’s own favorites are The World At Night and Red Gold, both featuring Parisian film producer Jean Casson, who has to hide from the Gestapo, and----

     But read for yourself; you won’t be sorry.

 

Written by Joanne Forman

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